Take your learning in your own hands, it is never to late!
Sometimes what you get out of it is not what you think or expect.
Even learning just one new little thing can be a game changer.
Just show up and do the work!
Consistent practice is the way to mastery.
Lately I’ve heard a lot of students having the light go off and things begin to stick. Hooray!!! This is very pleasing to me, every little hurdle that is overcome allow you to unlock even more. But often its not what you think you know or what you expect to learn that is the real lesson.
As our Spring semester gets on its way I’m reminded but the amazing act of courage and vulnerability the student mind exhibits. That bravery to show up as they are, ready to challenge themselves and learn. We had a great pop up course covering what every artists should know in preparing they own professional quality supports from the “ground up”.
I remember the most valuable thing I learned from one of the fall workshops had less to do with the course content and more to do with practical knowledge from an expert. It was a simple trick to cut my paper towels into quarters that way I'd waste less and use them more effectively. I did a quick calculation in my mind and the amount I’ll save from this one technique was definitely worth far more than the cost of the course. That being said I learned more in the rest, but it is definitely not the things I would have expected to gain that I thought would have been valuable to take away.
In all the Atelier Artista courses I hope to offer more than anywhere else. I try to approach content it from an academic standpoint in an effort replace the thoughts and judgements one may have with more useful information. On example from the portraiture course that just began is to calling the "white outer layer of the eyeball" by the scientific nomenclature “Sclera”. This reminds us to stay away from the pitfall of keeping the sclera pure white when we draw or paint. The "white of the eyes" most often appear off white or in shadow due to eyeballs being inset in the skull and spherical in nature, and so our work must reflect their three dimensional form. I most often paint them with raw umber and a touch of white and one leave my true whites for specular lighting effects which make up a very small percentage of the overall composition.