Painting with the Masters:
Bouguereau and the 19th Century French Academy
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Oil Painting Workshop presented by Juan Martinez
1(one) 11” x 14” or 12 x 16” un-cradled panel, primed with acrylic gesso or oil priming. Good quality prepared panels, such as Ampersand and RayMar (with Portrait Grade oil-primed linen) are available at many art stores and online.
COLOURS (oil paint only)
Titanium White and a Lead White, if available
(Lead whites are sometimes called Cremnitz white or Flake White. Look for pigment PW 1 on the label)
Yellow Ochre PALE (Winsor & Newton) or Mars Yellow Light (Williamsburg) — Pigment is PY 42, not PY 43
Cadmium Red Light (use true Cadmium only, no hues, please) — Pigment no. is PR 108
Burnt Sienna (a natural pigment only, which is PBr 7, so do not use Winsor & Newton nor Rembrandt)
Alizarin Crimson Permanent
Black (Ivory or Lamp or Mars)
Have around 6 or 7 synthetic mongoose Filbert brushes ranging ranging from 1/8” to 1/2”
For fine finishing and detailed work smaller Round brushes. 3 or 4 soft, synthetic brushes in sizes #2 to #0) should do it.
Also, you will need 3 or 4 hog’s bristle brushes on hand, in sizes from ¾ in. to ¼ in. (Filberts)
MEDIUMS / THINNERS:
A fast drying medium such as Liquin™ or Liquin Fine Detail is preferred. Similar alkyd based mediums from other manufacturers are acceptable if Liquin is unavailable.
Odourless Mineral Spirits (OMS) as thinner or to be mixed with medium. No turpentine please.
• 2 (two) small cups with lids for holding medium or mineral spirits.
• Palette knife — a narrow, flexible blade is best
• Palette — Paper palettes (preferably a gray-toned palette) are quick and convenient, but a prepared (i.e., sealed) wooden palette is good, too.
• For clean-up; a roll of paper towels, or Shop towels, or a Box of tissue, or Clean rag(s)
Masking tape, and 2 Bulldog clips
A Mahlstick is very useful but not a necessity (a 1/2 in. diameter dowel, approx. 30” long)
If you have any questions, please contact Juan directly at firstname.lastname@example.org